#is giving me some very evil ideas

[my-thoughts-and-junk]

thinking about fallout 4 against my will

[sweetandglovelyart]

A little art/comic announcement: While Knightfall in Dream Land is still in progress and I’m still working on that I’ve also started plotting out the storylines for both the Daroach backstory comic and the Susie redemption arc comic that I want to do.

Before I started drawing Knightfall in Dream Land I did some very simple pencil sketches with dialogue written on them to get an idea for the direction the story of the comic would go in and get an estimate of how long the finished comic would likely be/how many pages it would likely have. That’s the stage I’m at right now with the Daroach comic and Susie comic. I’m planning to start posting actual pages for both of these comics in January 2025, because I want to get a little bit further into Knightfall in Dream Land first before I launch the new comics. The final length may vary a little bit depending on whether or not I decide to add more stuff or change some of the dialogue I’ve plotted out, but when Knightfall in Dream Land is finished I’m estimating that it’ll be around 34-36 pages, so I’d like to maybe get to page 20 or so before I start posting the new comics. Knowing how slowly I update I’ll probably hit page 20 around late December of this year so January is likely when I’ll be launching the new comics.

Like I’ve mentioned before I’m also still very busy with grad school stuff (I’m working very hard to finish up my PhD in the next year and hopefully get a job lined up if I can so I don’t have to live with my parents when I graduate) so comic updates might get even slower than they already are in the coming months. Thank you to everyone who’s been reading the comic even though I update it really slowly, it really means a lot to me to see people enjoying what I’ve created, and I hope you’ll enjoy the new comics too when I eventually start posting them.

[magical-xirl-4]

To go in depth about what bothers me about Kyosaya is that we never see what Sayaka’s feelings on Kyoko are romantically and we never see how she even develops them in the first place. It’s why I hate that scene in Rebellion because it just seems like pure fan service with no proper set up. We KNOW Kyoko cares for Sayaka and most likely has romantic feelings mixed in there (also an ass pull but she’s gay so it’s understandable), but when and WHY did Sayaka even come to reciprocate those feelings for her? What does she like about Kyoko?

We know where Kyoko’s feelings towards Sayaka comes from: Kyoko sees herself in Sayaka and is reminded of when she was a child who believed in hope, but it’s also not a stretch to say that she saw Mami in Sayaka as well, which is why she holds a fondness for her.

So what about Sayaka? Why does she want to be friends with Kyoko? They were about to be friends before she died in Madoka’s new world but we never have any follow up about that.

And don’t tell me it’s shown in the Wraith Arc bc the entire premise of it being made AFTER Rebellion annoys me too. Whatever they have written for them in that arc is just going to be nothing but excuses for me; like why that scene in Rebellion even went the way it did, why she even regretted leaving Kyoko behind. Because from what we know in the TV series, going by RELEASE ORDER, she didn’t give two fucks about Kyoko.

Sure, it’s probably better late than never to develop them when they have time to, but idk maybe show me that in the movie a lil before getting to a weirdly intimate scene where she essentially confesses to Kyoko.

[themyscirah]

This is such a "nobody else has read this comic" moment but like. It kills me every day that we never see Simon's conversation with Amanda Waller in JLA (2013) #5. Like I NEED to know what she said to him in that room. He goes in fully intending to detach himself from all the drama of his origin arc and get the government off his back yet when he leaves he joins Waller's JLA (which is a different, rival entity of the JL at this time). And THEN in JLA comic he's not just on the team, he's one of the more pro-Waller/pro-authority members!!! Which doesn't sound like Simon!!! Like at all! But again this is the Wall we are talking about. And they had a private conversation together! For an unspecified amount of time! That we know nothing about! Like this is Amanda freaking Waller if anyone could say something to make this make sense it would be her. SO I NEED TO KNOW WHAT SHE SAID. but also also also we see ANOTHER change of heart from Simon towards Waller (and the government) in Green Lanterns #1! (I think.) Here he's shown being fed up as the government tries to manipulate him for information and to gain power and such and is like keeping tabs on him and his family etc. So obviously he's become disillusioned with this and is not happy about it, which is the kind of reaction you would expect from him! Like that actually makes sense!!!

So its like logically you figure that his characterization in JLA is bad (it is new 52) and doesn't make sense and stems from an ignorance of his character (who had been in literally 16 comics before this. Including cameos. Like bruh just read them) and that's why this doesn't make sense. BUT THERE'S STILL THAT CONVERSATION WITH WALLER. Like I want this to my sense so bad. And my brain knows what Amanda Waller is like like it KNOWS that something could have plausibly happened in that room to make this line up! Like it's Amanda freaking Waller anything could have happened there. I need to know what happened there. I will NEVER know what happened there.

[bi-writes]

ok i have this idea for alpha!ghost and omega!reader. this is a very, very rough draft and is not even close to anything with real meat, but i would like to get some early feedback about this idea i have.

"I'm not here as a friend," she says softly, and you frown a little.

"Aren't...haven't we always been friends?" You ask, and Kate lets out a shaky sigh, nodding her head behind her.

"We need to talk. C'mon."

You retrieve the gun and holster it, fastening it around your thigh holster before you follow her. She has a car waiting outside, a big, black SUV with the door already open for her. When you get inside, she knocks on the divider, and the car immediately starts moving. You brace yourself against the side of the car as it speeds off, reaching for a seatbelt.

"Jesus, Kate, what's going on? I-I have training later, I can't--"

"You're not...going back to base," she says evenly. You frown a little, leaning back in your seat, and you put your hands in your lap as you try and get a read on her. Even exhausted, Kate is hard to decipher. She has a stone-cold expression, calm and unbothered, and you curse her CIA training for making her impossible to understand, to even get a glimpse of what she might say next.

"Okay," you scoff a little. "Then where am I going?"

Kate sniffs a little, crossing her arms over her chest. She doesn't break eye contact with you when she says, "Wheels up in 30. I have an assignment for you." She reaches under the seat, pulling out a manila folder, setting it down beside you. When you pick it up and flip it open, you narrow your eyes.

"I'm..." You shrug your shoulders, "I'm not CIA. You don't give me orders."

"As of one hour ago, you're mine. And this...this is your duty."

Your eyes blur as you skim the text on the pages. You flip through the papers flimsily, getting more and more irritated until you throw it at her, your chest rising and falling fast as you pant, barely able to see her through your tears.

"Kate, don't do this," you beg her softly. "Please don't do this. Please. You fucking promised me, you promised--"

"You need to understand that I don't have a lot of fucking choices," she says sharply.

"Kate, I'll do anything, please," you gasp. You reach over and grab her hands, tugging her towards you. "You know. You know what...w-what I've been through, what this all is, you know...please. Please..."

"I can't--"

"I'll be yours," you try, squeezing her palms. "Just claim me yourself, a-and...and we don't have to do this, w-we can...I-I can go back to--"

Her face contorts, offended, disgusted. You try and swallow down the sting of her rejection, but you cannot help yourself. You would do anything to not be subjected to this fate, to the fate she promised she'd save you from. The only alpha you have ever trusted, and she's pulling away from you, bit by bit.

"I could never do that to you," she interrupts, shaking her head. "I couldn't."

"But you'll do this instead?"

"It's the lesser evil," she says finally, pushing your hands back. "And in my world, that is the best I can hope for."

"It's punishment!" You cry, and she reaches over, cupping your cheeks, pulling you close. "A-And for what? For being something that I can't change?!"

"It's mercy," she whispers. "I can't protect you anymore, do you understand? They don't want you there. Even taking meds, even spraying yourself to shit, they don't want you, and I can't protect you if they send you away, do you understand me?" You start to cry, closing your eyes, and you hear the familiar voice in your head sing. She's desperate, slipping through the cracks, and you squeeze your eyes shut as you try and force her backwards. "I have to get you out of there, and this is the only way."

"Please..."

"I can't protect you," she says gently. "But he can. And he'll be good to you. I promise, this...this I can promise."

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[rene-darling]

WHEN- you store things inside your boobies

...very obviously fem reader lmao, you store things in the middle of your chest...

...lyney...xiao...itto...wanderer...

Lyney

You're showing lyney a card trick that learned.

But no matter how much he tries to figure out where you hid the card he just can't get it.

He never usually does this but he's just too curious!!

So he's been asking- no, begging for you to tell him how you did it and where you hid the card!

After much pleading and you repeating "a magician never reveals her secrets" you finally spill.

You tell him to watch carefully and he nods.

His eyes widen and his mouth drops open as he burns red.

You reach down your shirt and pull out a card from in between your boobes

"I- you uh..ah.." he's stuttering, not sure what would be an appropriate response to this.

You just laugh "see, this is why I said you can't do this trick, your tits are too small darlin"

"h-hey- making you blush is my job! Not the other way around!"

he's used to making snarky remarks or dirty jokes he can't believe he fell for this!

Xiao

Xiao recently gifted you some adeptus beads

They were meant to ward away evil spirits and demons and keep you safe when he's not around

However, he's noticed that he can't seem to find you wearing them around your neck, so he decided to ask you about it

"y/n where are you keeping the beads I gave you? I didn't give them to you just for you to leave them somewhere to collect dust."

He huffed offended you wouldn't keep the charm on you.

You already insisted on not calling his name when in trouble so you should at least keep the beads on you!

You just looked at him amused telling him you had them on you but he insisted you showed them to him, so you did.

Pulling down the neckline of your shirt you reached your hand in to grab said beaded necklace.

His mouth dropped once you showed it to him and his face bloomed "i- y-you..you have no respect for the adepti!" he vanished after yelling that likely to hide his blushing face, and his boner

Itto

Recently you've hid one of ittos little purple bugs right before his little match with some kid

He's frantically searching for said bug, insisting that he has to take that one or he won't win! Not that he will either way

"y/nnnnn! Are you sure you haven't seen my little bugger! I really need it!" he's whining like a little baby!

Feeling bad for him you finally relent telling him you might have an idea of where his beetle could be

"REALLYYYY!!! You're the best babe-" you tell him to watch carefully as you pull your shirt down and from in-between your valleys crawled out the purple beetle you had hidden

His mouth dropped his eyes looked like they would pop out of their sockets (imagine gojo when he looked at megumi)

"not fair y/n! Why does the beetle get to stay there and not me!" he's thinking about it being unfair,

Then the next second he wants to see if the beetle would fit in between his tits,

Of course, they do. I mean have you seen his tits? He's very proud of that fact

Wanderer

Nahida recently sent the both of you on an expedition together

He acts like he's not happy but deep down he's happy to be traveling alone with his beloved

Recently you both stopped at a shop to buy something but he had forgotten his mora back at camp.

He looked towards you waiting for you to pay, he narrowed his eyes suspiciously at you when you looked at him amused and asked "you sure"

"just pay." well, he insisted, so why would you deny?

As soon as you reached down your shirt his mind short-circuited

You pulled out a mora pouch and handed some mora to the shop keeper like it was nothing and then again stuffed the pouch down your tits.

Grabbing the things you started walking away as wanderer stood there just blushing violently

Looking back you yelled "are you coming or not darling?" he snapped out of it following after you

"did you really have to do that in fucking public?" he huffed in embarrassment, walking back home with a boner is annoying

[micer2012]

a reflection on MatPat's plagiarism

Hello, my name is Della, or micer2012, and 2 years ago Game Theory plagiarized three Tumblr posts of mine, making a video that now holds almost 6 million views.

My posts explaining his plagiarism made their rounds on Reddit, Tumblr and Twitter, but despite the Hermits and Pooka commenting on it (generally in support of me or saying they don’t know enough details about the situation to say either way), MatPat and his team have never owned up to anything, and no mention of my name is present on the video. The one Reddit post they made denying it (which was made before my detailed takedown, which they have never responded to (though the mods on the r/GameTheorists Reddit were kind and made sure it stayed up)) didn’t even mention me by name, just referring to me as “a tumblr user”. (Though one of the screenshotted comments in the body of the post does say my name)

This experience was baffling, but it’s overall had a positive impact on my life. r/Hermitcraft gave me a Golden Apple Award (post of the year, 2021). My inbox was filled with excited fans, wanting to ask me questions or pose their own theories, far more than the hate I got. (Though the hate I got from Game Theory fans was VERY funny. I wondered why none of them gave me shit about saying “MatPat misgendered Evil Xisuma” before realizing none of them read that far into the post.)

And getting on a more personal, and much more important note, I met most of my current online friends through this, including my partner. It helped me grow closer with my irl friends as well and gave me an entertaining story that I tell whenever I have the chance. It was one of the first things in my life that really made me feel like my talents, my autistic hyperfocusing and analyzing of things I love, could be valuable. Useful. Exploitable. It blew my mind that MatPat thought an autistic kid’s ramblings about a Minecraft Youtube joke character were good enough to steal. To put an audible sponsorship on. To get 6 million views off of.

And that’s why I’m writing this post, this update years later. As you might’ve been able to guess, Hbomberguy’s Youtube video on plagiarism reopened this wound. It was really hard for me to sit through, it took days of pausing and taking breaks, because I had experienced everything he was talking about firsthand. 

In my 10 page long takedown post, I wrote about how his rewording of my sentences made him say things that were incorrect, just like Filip did. The content farm production style that made big companies like Cinemassacre take one creator (AVGN/MatPat) and turn him and his content into a brand, a voice that reads out scripts by other people with other opinions/theories, is a history shared with Game Theory. What really hit me was Harris talking about how big creators only do this to people they think they can get away with doing it to. How they view their victims as lesser, as not deserving of their words, repackaging them as their own to give to an audience that can gain from hearing them, but deserves better than to have to listen to the original victim.

That’s the thing, I 100% think a video version of my theory to expose to a bigger community than “Evil Xisuma Fans on Tumblr” is a great idea!! Near the end of the video Harris talks about how video adaptations of things could be a great market, even an accessibility tool, and I completely feel that about my posts. I wrote them quickly assuming the reader was someone well versed on Evil Xisuma lore, after not even watching most of the CarnEvil series, and the diagrams I made to explain them are even less comprehensible. Harris makes a joke that I completely agree with, 

“I’m sure some of my videos would do very well if someone translated them into English.”

I don’t think I would’ve ever made my posts if I didn’t have autism, and a special fixation on Evil Xisuma and Hermitcraft. I made them because I felt the character was being done an injustice, and because I wanted to share with other superfans this theory that might explain it away. I do think that MatPat plagiarizing me was ableist. I used to wonder a lot if this would’ve happened if my posts were articulated better, if they had been peer reviewed, if the posts themselves had been spread to a wider audience before MatPat made his video. At one point when the discourse was fresh (before I had the time to write out my 10 page rebuttal), a bigger YouTuber (100k subs at the time) messaged me and started talking on Discord, interested in possibly making a video on the discourse, but I think my style of typing and general enthusiasm drove him away. You can tell by a single look at my blog (or my original 3 posts!) that I don’t usually type like this. This post you’re reading now has been peer reviewed and edited, and took me hours to format correctly. That video could’ve been huge, the entire outcome of this MatPat situation would probably be much different.

I also used to stress a lot about “being the one who ruined Evil Xisuma’s story”. If you didn’t know, to me S8 Evil Xisuma’s story got wrapped up pretty quickly and unsatisfying (in my personal autistic opinion). (though this might’ve been due to s8 being experimental and ending early with moon big) There was no real culmination of the plot points and arcs going on, and I don’t want to blame myself, but when Xisuma said on stream (when the MatPat thing was first going on) that he didn’t want to focus on the discourse or draw more attention to it, it makes a lot of sense to me that he just wanted to wrap it all up as quickly as possible. For a while I beat myself up about it, of ruining the story of this character I love, but it’s not my fault. If anyone’s, it’s MatPats, but I don’t think it’s useful to just blame someone else. That’s how the story ended up going, and that’s fine. This is Evil Xisuma we’re talking about, their inconsistent lore is what made them such an interesting character. And notably, Pooka made an animation with an awesome culmination of Jeff, the Dreamer, Evil Xisuma, and his own sona’s story, and it makes me so happy to watch. Whatever Pooka does is of course his own choice, but I’m glad he got to give this personal story his own ending (if it is an ending, and not just the start of a new chapter!). 

Typing this all out and getting it off my chest has made me feel a lot better. For a while I wanted to make my OWN video essay about Evil Xisuma’s lore and CarnEvil’s lore, actually going episode by episode to explain it instead of just assuming you knew as much about Evil Xisuma as I did. That idea is still not off the table, but MCYT isn’t something I’m that into right now. Maybe if something else comes out about Evil Xisuma I’ll get back on it, but for now I’m fine with letting that go. But I want to make other videos, share other theories and analysis… if I have the freetime I’d love to make YouTube videos, and if I don’t have the time I’ll continue posting to my tumblr and infodumping to my friends. Apparently my infodumping is valuable enough “content” to steal! Writing this out has made me feel a lot better though, I’m really glad I got it out.

If anyone ever wants to talk to me about the things I’m obsessed with, or reach out to me as a source in a bigger discussion about Game Theory or other channels, my inbox is more than welcome :] Thank you for reading! 

Sincerely, a tumblr user.

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[n0thingbutlov3]

need you now

in which an impulsive voicemail leads to some secrets being spilled.

pairing: spencer reid x fem!reader. warnings/tags: angst (sorry i’m incapable of being nice lol) hurt/comfort tho!! lil bit of fluff too because i AM capable of being nice, alcohol consumption as a coping mechanism (i’m literally just a girl…) spencer and reader are broken up :( but they’re still sooo in love and it’s soo obvious so it’s fine!! (also it kind of gets fixed at the end-ish. you’ll see *evil smirk*) reader cries a lot (real) spencer is a cutie (as always) spencer and reader sleep together…no like literally, not in a funny business way, some swearing, no use of y/n!!! wc: 3k a/n: hihihi!! so this is my first fan fiction i’ve wrote and completed ever (gulp) it’s also my first time publishing one (gulp) my writing could definitely be better and so could my grammar tbh but i HOPE if you choose to read you’ll enjoy…feedback is always appreciated (plsplspls) also like requests?? if anyone’s into that—id love to write more but inspo is difficult sometimes. if there’s any spelling mistakes im sorry, eye am very tired!! it’s 5am *eye twitching* okay i’m going to sleep, gootbye IF U SAW ME EDITING THIS 5 TIMES NO U DIDNT (i’m bad at tumblr ok..)

“Hi. This is Doctor Spencer Reid. I’m not available right now, but leave a message and I’ll get back to you as soon as I can…”

His tinny voice cut off to make way for the signature beep of the beginning of a voicemail recording.

You could hang up now—you should hang up now, save yourself some dignity and go drown your sorrows in alcohol like a normal person instead of calling your ex-boyfriend.

You should, but your mouth was opening before your finger could reach the hang-up button, and…and it was a losing battle from the moment you clicked on Spencer’s icon.

“Uh���hi, it’s…it’s me.” You huffed out a sad laugh.

“So, um, I…I tried calling, but you didn’t answer so…” The static buzz of silence hummed through your ear, just inches from where you held your phone with a shaky grip. “maybe you’re on a case or out with friends, or someone else—“ You let the implication hang in the air—the thought of Spencer potentially being in a relationship bringing a lump to your throat.

You swallowed it down.

“I just…I just had an unbelievably shitty day, Spence.” You sniffed, wiping the moisture that had escaped from your eye with your sweater sleeve. “I know you’ve never read A Series of Unfortunate Events but I think I’d give those kids a run for their money.” You tried to laugh but it came out as more of a sob.

You inhaled shakily, trying to collect yourself and remember why on earth you thought it would be a good idea to call Spencer when you’d been broken up for months. Hell, you hadn’t heard from him at all since you had parted ways—except from the odd text about returning each others’ things. It was obvious he had moved on, and here you were, filling up his voicemail with blubbering messages and making references to adolescent books.

“God, sorry about this.” You breathed out a watery chuckle. “I just…didn’t want to be alone, I guess. But that’s-um-not your problem anymore, so I’m—I’m sorry. Have a nice night.” Your voice cracked and you hung up before you could start weeping down the line. You didn’t need to look even more pathetic.

You pulled your phone away from your ear, looking down at his contact photo through blurred vision. He was smiling—not the tight, closed lip smile he gave other people, but a full, bright smile that had his dimples showing. One of your hands was wrapped loosely around his neck and the other was holding your phone just far enough away to capture both of your smiles. Your head was rested on top of his shoulder, tilted just slightly to the left so your temple was brushing against his.

It felt like looking at a vintage photograph—you knew those people and their happiness existed at some point in time, but it wasn’t tangible; you couldn’t verify it was real.

When you were with Spencer, you never doubted how real it was. All you had to was look at him across the room and he’d flash you a smile identical to the one in that photo and you’d just…know.

It felt like forever ago now that you’d been on the receiving end of that grin and it killed you. So much so that before you could consider the repercussions, you were trudging through to your kitchen and grabbing the bottle of whiskey that sat unopened in your cabinet. It had been a present—from Rossi, actually. When Spencer had first introduced you to the team, the older man had given it to you as something of a welcome gift. Of course, he couldn’t have known you weren’t much of a drinker, and since you wanted to make a good impression (and because you were sure it had cost more than all the alcohol you had consumed in your life combined) you accepted it—deciding to save it for a rainy day.

You think this qualified.

You grabbed the bottle, a glass, and padded back through to your living room, slumping onto your couch. You filled your glass up a little less than halfway before gulping it down, enjoying the burn in your throat—it was better than the constant thickness.

You poured yourself another glass before turning on the TV. You weren’t sure what was playing—it didn’t really matter anyway, your vision was already being obscured by tears again.

You thought the pounding was in your head at first—serves you right for drinking half a bottle of whiskey. Only, it wasn’t, because moments later the pounding subsided and instead, your apartment door was opening, casting your pitch-black living room in a yellow glow which temporarily blinded you.

You squeezed your eyes shut, your mind hazy—again, serves you right for drinking half a bottle of whiskey. Someone was calling your name, but there was too much sensory input for you to make out who.

You certainly hoped it wasn’t a paramedic—maybe your neighbour had heard you sobbing for the last four hours and decided you needed a wellness check. Then there were hands on your face, and that had you flicking your eyes open, because you recognised those hands—impossibly soft, with a callus on his trigger finger being the only thing to mar them. Spencer.

“Spencer?” You slurred.

He sighed in exasperation (or relief) and tucked a stray strand of hair behind your ear.

“Are you alright? You weren’t answering your phone, I thought…” He trailed off, worry evident in his voice.

You sat up then, trying to compose yourself even though the room was spinning. Fucking whiskey. You rubbed your eyes haphazardly, blinking until you could finally see.

You should’ve stayed bleary-eyed. Because nothing could prepare you for the way your breath hitched when you finally saw him. After months of not seeing each other, Spencer was here, sitting on your couch, and he was looking at you like you were something fragile, and—God, you needed another drink. You turned away from him, reaching for the neck of the bottle as you spoke.

“I’m fine.”

Before you could lift it up, Spencer gently pried your hand away from the bottle with his own, and then slid it across the coffee table with his other.

“You’re drunk. No more of that, please.” His tone wasn’t unkind, but he left no room to argue. You probably would’ve objected anyway, if it weren’t for the way he kept his hand clasped around yours, rubbing soothing circles into your pulse point almost absentmindedly.

You glanced up to him—to stop yourself from staring at your hand in his and how natural it felt, more than anything—but that proved to be a mistake too, because he looked just as beautiful as thirty seconds prior and it felt just as natural for him to be sitting next to you on your sofa, but it wasn’t natural anymore.

“How did you get in?”

“My key.”

“Oh.”

Right. The key that he still had because you refused to meet up with him to let him return it. He tried for weeks to contact you, but you ignored him, because getting the key back meant things were finally over. You supposed he could return it now—maybe that’s why he came in the first place.

“Why did you come?” You asked, your voice impossibly small.

“You called.” He replied—as though he was talking about something as simple as the weather. You call and I come.

You searched in his eyes for any sign of a lie, but of course, there was none. He was being completely genuine—as always. You were the awful ex-girlfriend who left concerning voicemails on his phone and had him travelling to your apartment in the middle of the night only for him to look completely okay with the situation—like there was nothing he’d rather be doing than making sure you were safe.

You couldn’t help the way tears sprung to your eyes or your lip began to tremble as you lolled your head back onto the couch, pulling your gaze away from his.

“Angel, what’s wrong?”

You liked to consider yourself to be a strong person. You had been through things in your life that were objectively worse than your breakup with Spencer, but something about the gentleness of his tone and the way he had let one of his many (past) petnames for you slip had your throat tightening and you ducked your head into your one hand—the other still seized by Spencer’s—to try and muffle a sob.

“Hey,” He trailed his hand that was wrapped around yours up your arm, all the way to your shoulder blade before lightly guiding you towards him. You don’t have enough energy in you to fight his magnetic pull, so you shuffle over until you can bury your head into his shirt. You inhale his scent; vanilla, neroli, and so him it makes you ache.

Stopping your tears is futile—you’d know, they’d barely ceased all night—so you just let them fall, seeping into Spencer’s tie as he rubs one hand softly up and down your back, the other cradling the crown of your head.

His breathing is quiet and slow—the exact opposite of yours—and you try to imitate it—forcing air into your lungs. When your sobbing has turned to shaky breathing and the occasional sniffle, he speaks up.

“Do you want to talk?”

Talk about what? About what had happened today—what had led you to calling him? Talk about how for the last few months, he had been the only person you had wanted to call?

“No.” You hated how pitiful you sounded.

“Okay.”

Spencer didn’t say anything else for a minute—your synchronised breathing being the only thing to stop the room from falling into dead silence.

“You need to rehydrate.” He murmured, smoothing down your hair.

You hummed into him, in no hurry to unwrap yourself from his body. You probably wouldn’t get to be this close to him again, after all.

He moved both of his hands to your biceps, pulling you back slightly so you could look at him. He knitted his brows together in a silent plea which had you rolling your eyes petulantly, your lashes still damp from tears.

“Fine.” You peeled yourself off of him, pushing yourself into a standing position. Horrible mistake. You were still incredibly drunk, turns out, and everything was spinning a little bit and come to think of it, you were also nauseous and—

“Careful, lovely.” Spencer placed his hand firmly on the small of your back, keeping you upright.

and—actually, you were fine now.

He stood too, moving his hand just slightly over to your waist so he could guide you to the kitchen. When he knew you could stand upright—even if you were relying mostly on the counter behind you—he grabbed a glass from your cabinet, moving around effortlessly to pour you some water. The sight was so domestic you almost wanted to cry again. Maybe in some alternate timeline, where you and him could’ve worked, this would be an every day thing—minus the drunk sobbing part, of course.

He handed you the glass of water, watching as you took a few sips. He raised an eyebrow, nodding his head slowly.

“Whole thing, please.”

You let out an exasperated (affectionate) sigh and gulped the rest of it down, setting it on the counter behind you.

“Happy?”

“Very.”

You smirked, trailing your gaze down his body. He was still in his work clothes which, at the very least, meant he wasn’t on a date before he came here. He always changed before dates—well, for you, anyway. You wondered if he had been on any dates since the breakup—you certainly hadn’t. It had been long enough now that it wouldn’t be weird for you to start seeing other people—but you didn’t want to. You weren’t sure you’d ever want to, to be completely honest.

The more you thought about it, the more the whole thing seemed stupid. You didn’t want anyone else, you wanted Spencer. You had tried to get over him but if tonight was any indication—it clearly wasn’t working. You can’t even remember why you broke up in the first place—it all seemed so insignificant now. No amount of pain you had ever experienced in your relationship had come close to that of living without him.

You met his eyes once more and it was like he could see the question brewing. He tried to stop you, calling your name in a quiet warning, but you ignored him.

“Why did we break up?”

He frowned, pulling his bottom lip between his teeth with his tongue in that maddening way he did.

“I—you know why—“

“No, but I don’t! I know things were difficult sometimes but that doesn’t mean it didn’t work. It worked—we worked.” Your eyes were stinging again.

Spencer pressed his index and middle finger into his eye, furrowing his brows.

“I know, I know we worked, angel—but you were sad all the time, remember? I was gone so often and it wasn’t good for you.” His true emotions were indecipherable but his tone was soft, and you wished you could be as calm about this as him. Did he just not care as much as you did?

“But It’s—It’s worse now—“ You choked out, tears falling freely now. “I was sad when you were gone, but you always came back—you don’t come back anymore.”

Spencer removed his hand from his face, flexing it at his side like he was uncertain what to do with himself before taking a stride towards you. He brought a hand to your face, wiping the tears from under your eyes delicately—like you were made of porcelain.

“Listen, sweetheart—alcohol affects your ability to regulate your emotions and I know right now it might feel worse but that doesn’t mean it always—“

“Spencer, stop! It’s not the fucking alcohol, I miss you! I miss you all of the time! Even—even when I’m having a good day—I still want you—and especially when I—when I have a bad day—“ You choked out through heaving breaths.

“Breathe.” He urges, cupping your cheek. And you’re so, so angry, and sad, and tired that you have no choice but to shut up and listen to him. When you’ve adequately calmed down, he moves his hand to your jaw, tilting your head up to look at him.

“I don’t think we should talk about this tonight but I—“ You open your mouth to protest.

“I promise we can talk about it tomorrow when you’re sober—if you still want to.”

Your lip trembles of its own volition and you frown.

“Of course I want to.”

“Okay,”

“Okay.”

He gives your eyes a final wipe before he’s—rather unexpectedly—pulling you into a hug. You all but melt into him, your head finding its home in his sternum and your arms wrapping around his middle. He tilts his head down, kissing the top of your head—and you’re certain you can’t let this go again. You will chain him down before Spencer leaves this apartment again.

Everything is wordless from there—mostly because you’re so, so exhausted that even talking seems like too difficult a task. Spencer helps you find something more comfortable to change into and you pull out an old t-shirt of his and a pair of plaid pyjama pants you had kept here for him. I guess your keeping them ‘just in case you needed them in the future’ had come in handy, after all.

As you washed your face, Spencer snuck through to the kitchen, refilling your water and grabbing two aspirin in a not-so-subtle attempt to help the inevitable hangover you were going to have in the morning.

You caught him placing them on your bedside table and mock gasped.

“Trying to drug me in my sleep so you can make a run for it in the night?”

He grinned lazily—exhaustion creeping up on him as well.

“I wouldn’t dream of it.”

You smiled, flopping yourself onto your bed rather ungraciously. Spencer looked at you like you were something fascinating before biting his lip, clearly deep in thought.

“What?” You let out a self-effacing little chuckle.

“I was just…wondering…if you’d like me to sleep on the couch?”

You probably should’ve been more careful in your facial expressions considering you were still broken up but your thoughts about that offer were obvious.

“No, stay.” Stay in your bed, in your apartment—stay anywhere that was close to you.

Maybe you were coming on a little too strong.

“Unless you want to, I mean—“

“No, no—I’ll stay.” Forever, preferably.

He walked around to the other side of your bed—as he had done so many times before—and sat down, pulling the covers over his legs. You mirrored his movements before flicking your bedside lamp out, turning to face him.

You were a little thankful you were so out of it, because this had the potential to be very awkward otherwise. Spencer shuffled down so that he was at eye level with you, turning to face you as well.

You just stared for a moment, committing him to memory. The moonlight had a way of highlighting all the high points of his face, and the twinkle in his eyes, and—God, you were so glad the moon existed and that Spencer was in your bed that you couldn’t help but giggle.

“What?” Spencer laughed along with you, even though he had no idea what was so funny.

“Nothing. You’re pretty.”

“You’re drunk. Go to sleep.”

“Don’t wanna.”

“Why?”

“Scared you’ll be gone when I wake up—like I made it all up.”

Spencer’s smile faded then, and he looked at you with something that seemed so much like the one thing you had been willing yourself to stop doing the whole time that you’d been broken up, that it almost took your breath away.

“I won’t. I promised, didn’t I?”

You nodded.

“So there’s nothing to worry about. Now get some sleep, lovely.”

You smiled, feeling Spencer’s hand inching towards yours. He intertwined them and gave yours a squeeze.

“Just in case you make a run for it in the night.”

You chuckled, your eyelids fluttering shut. Yeah, you could make it work.

part two!

[cherryfennec]

what could you think of for a second and third phase for super dimentio

Ymmm I don't really see him having another phases so no but I've had something for the first 20 seconds of his initial battle in mind.

Tag, he's it.

okay so like spm spoilers and stuff but:

When you first start the battle with Super Dimentio there's a certain period of time where he's invincible. You can't damage him and nothing really happens until Timpani returns with the Pure Hearts.

Now in my personal opinion while I'm still glad they added this moment, it still left me a little unsatisfied. Here's why:

Dimentio turning into Super Dimentio with Luigi is his big moment, his victory. He has become something that is indestructible, something that generations of Ancients have been passing down. He is a god. The time frame where he's indestructible in the game is supposed to show that you are powerless against him, that no Pixl and no item will do anything. This is supposed to make you realize in the moment that: it's truly hopeless.

Unfortunately Dimentios spotlight is VERY quickly taken from him, which makes the idea less effective than it could've been. You see Dimentio working for this the entire game, just for him to win in the end only for 20 seconds and then turn into a joke of a fight. The speech he gives before the fight is longer than the actual boss, making everything slightly anticlimactic (at least to me).

The concept I've been thinking about using in my take of the Super Mario lore (SPM specifically here) is that those 20 seconds of standing and waiting around for the game to decide it's time to move on are instead spent on: A reverse game of magical tag.

The concept of a magical tag itself is used earlier in the game by Dimentio himself who makes Mario and Luigi humour him by traveling through the worlds they have been in before and finding ripples in space he's leaving behind to keep the game going. I thought by turning this moment of 20 second invincibility into a game of magical tag where he's “it” this time would help that feeling of hopelessness and stakes sink in.

In this scenario Mario still cannot fight back as Dimentio,actively chasing him, is invincible, which forces him to run from danger. He runs from world to world, but now in contrast to the previous tag game, the worlds are being wiped out as you go through them for the final time. They're barely holding on, torn from their colors and mixing with the white void peeking through. Maybe some leftover npcs encouraging to keep going or just being terrified instead. Dimentio is chasing after you, peeking his long arms or head through the ripples to strike, and as he makes his way behind you the world progressively disappears and you have to make it out before it's entirely gone, else its game over. In the end of this chase you make it back to Castle Bleck where it picks up on Timpani restoring the Pure Hearts with Blumiere and using them to help Mario by removing Super Dimentios invincibility.

In conclusion I think making this moment akin to what I described above would help set the tone of this enemy more. For one this moment is now LONGER so you can see direct consequences of Dimentios victory outside and think about it more, second it turns you into an actual helpless plaything that you were meant to be. The entire path of the chase leads you back to Castle Bleck, it's a circle. This time you cannot escape and this time the evil doings have been set in motion on a rapid scale. It's a moment of Darkness that's broken by Timpani, someone who has been with you since the beginning and who you saw grow. She's now full of love and determined to win, something that to me comes off as super inspiring. She has been cursed to live a miserable existence yet she found the Light thanks to you. And THAT'S why you shouldn't give up even after all the ruined worlds you've seen. You have to keep fighting for them even in their darkest moment, even when they're gone.

also to clear any confusion yes i know this game is 3+ but i still think it'd be cool ig

[vroomvroomwee]

Crowley is Lucifer

(Ok I know some of you don't believe this theory but I highly suggest you give this a quick read anyway. I tried to make it short and easy and I'll be going chronologically, from s1 all through s2)

- First, let's get this out of the way, Lucifer and Satan aren't neccesarilly the same person. Even in the show the devil that appeared in s1 has only ever been reffered to as Satan, not even once as Lucifer.

- In the bible Lucifer was the one to tempt Eve with the apple, and who do we know that does that in the show. Crowley is literally THE snake from Eden.

- An obvious one perhaps, but the red hair is also a giveaway

- In the bible Jesus was tempted by the devil for 30 days, in the show Crowley says "I showed him all the kingdoms of the world", so that's another role Lucifer has that Crowley had in the show

- It's well known (even mentioned in the Sandman) that Lucifer was the most beautiful of all angels, and our demon is played by no other than David Tennant

Now on to season 2 because there's a LOT to unpack here

- He litterally started the engine of the universe which was one of Lucifers roles

- He's the first to say "let there be light", which is pretty fucking huge since that is Gods line

- "I worked closely with upstairs on it" even in the first scene they're telling us Crowley is an angel of very very high rank

- He fell for asking questions, which is litterally what Lucifer fell for, for questioning God. This in and of itself should be a pretty big indicator. "I only ever asked questions"

- Shax: "a miracle of enourmous power only the mightiest of archangels can perform"

Crowley: "How do you know I didn't do it"

And Shax just... doesn't counter that. She looks even skeptical, as if it COULD be a possibility, unlike Uriel who says to Aziraphale don't excpect us to believe you did it. Shax litterally doesn't shut the option down which confirms Crowley has the power not only of an archangel but of the mightiest kind

- In the bookshop with Gabriel/Jim he says "I don't remember. It [gravity] seemed like a good idea when we were all talking about it"

- "You're welcome to come in, you might even spot an archangel" don't tell me this was Crowley just egging Shax on and not being sneaky

- The fact that he could sense the demons coming. "Somethings wrong""It's coming in waves", when Aziraphale couldn't. It could be a demon thing but we saw Sandalphon, an archangel of lower rank, in the first season mention "something smells evil" so obviously angels can sense demons too, they just have to be powerful enough. And keep in mind Sandalphon was already in the book shop for quite some time, Crowley sensed them even before they had arrived (he also sensed the hell hound who was some fucking miles away)

- The.fucking.folder. "You have to be a throne or dominion above" and this dude opens these clasified documents like it's nothing. If this isn't an indicator of his high position as an angel I don't know what is.

- He's worked with Saraqael, another very high ranking angel

- "I'm the only first order archangel in the room"... and the camera imediately pans to Crowley, and for anyone who's read the book and watched the show you know that rarely anything is coincidental

- When the Metatron says they can't lose another prince of heaven. This... this fucking line. So it's relatively well known that Gabriel and Lucifer are brothers, and if Gabriel is one of the princes of heaven I wonder who the other one could be. "Two princes of heaven". And the Metatrons words were very careful, he doesn't say lost as in heaven can't find him, he says it in the context that they won't be sending Gabriel to hell since they won't lose another prince to downstairs

- In the bookshop when no one can identify the Metatron he turns to Crowley who imediately recognises him. Now you have this dude, who's literally on top of the angel hierarchy and is responsible for running heaven and the connection to God themself, surrounded by archangels and a principality you spoke to face to face with just a few years ago and... none of them can tell who you are, the only one who does is the literal demon. That tells us that Crowley has not only seen him in this form, but has probably worked with the Metaron himself personally. "Always asking damn fool questions", 10 million angels and he remembers what this one particular angel was like 6000 years ago

- Crowley is also very reluctant to reveal his identity as an angel. Now if he were just an ordinary angel of no real significance he wouldn't have a problem revealing his name, but... if his name was one that's the literal representation of all evil in this world, then it is understandable he keeps it a secret, in fear he might scare Aziraphale away

- And I wanted to leave the best for last. So you remember in the book when Crowley has to sign his name to start Armaggedon, and Hastur tells him "no, your real name" after which he reluctantly writes it. Now in the book we never see him write anything, but in the show we see him write a sygil, something that looks very mich like an L. An L... A FUCKING L. And now I wonder how this theory didn't come up sooner.

(Also he can fucking stop time, like dafuq)

Edit:

- "Oh looky here it's Lucifer and the guys" we all thought he was talking about someone else, he's just refferencing things other angels have said about HIM. FUCK

- I keep seing people saying Crowleys memories were wiped because he couldn't remember Saraqael and Furfur. But I think people forget, demons lie. He's lying to make them think he's not that angel they worked with, that he's not Lucifer. (In season 1 we hear him a few times refferencing his life as an angel, so he does remember most of it)

- Also saying if the Raphael theory were true then as showrunners they would have mentioned him somewhere for those not that familiar with the bible (or don't read much fanfiction). The refferences for Crowleys past are so so vague that it would be too sudden and confusing if he were Raphael. But there is one name that everyone is familiar with, no matter who you are how old you are or where you're from, a name that needs no introduction.

Edit 2:

- Back to him being the most beautiful angel, I don't think it was ever quite explained how every single demon when they're in hell looks... awful, but Crowley doesn't. Beelzebub has the spores all over their face, Hastur the maggots and the sh-, Dagon the scales etc. But Crowley doesn't, not even when he's in hell, he's always just so, well, pretty.

- I saw a few people asking about how Lucifer started the rebellion and Crowley wouldn't do that. I think it's the same Crowley who wouldn't get stuck in traffic after creating the M25, or the same Crowley that wanted to call Aziraphale after bringing down the entire London network, "you told them you invented the spanish inquisition, and started the second world war""so the humans beat me to it that's not my fault", "so all this is your demonic work?""no, the humans thought it up themselves nothing to do with me"

- Also I think Satan's in charge of hell not Crowley the same way the Metatron's in charge of heaven and not Gabriel (and who can very easily demote angels if he so wishes)

Edit 3:

- like some of you pointed out Lucifer is also known/means Light-bringer. And Crowley was the first to say "let there be light."

- The file he opens with Muriel is Gabriels file, a class A archangel, so if he knows the password to that it means that either he's on the same level as Gabriel, or above him.

[palskippah]

Hi! I give you this Stobotnik fankid I made a while ago :'y

She's Sofia --or Ivania or some other name ending in 'ia'-- Robotnik (coolest last name)

It's a compilation and also there's some Stone for practice bc I have no idea how to draw him pipipi Eggman is easier bc it's just his Sonic Boom design (I love it)

Some stuff about this universe under the cut!

(Btw if there's incongruencies is bc I can't make up my mind about the facts whwhw)

-Robotnik and Stone are married, very much married. Cartoon villains in love, I love that for them.

-["MARTHA I'M COMING HOME SWEETIE-"] Mixing up the movie things and the whatever's going on in the Sonic Boom, so Robotnik was gone for eight months and when he's back she's already born.

>Also the drawing is a reference to Icarly's "Whatcha got there?" "A smoothie" but she was clearly asking about the ostrich Spencer brought with him.

>Alternatively, Eggman's there and they go through the journey together yippiee. Choosing names, making evil parenting plans and whatever, being their idiot selves.

(After celebrating because they're good news actually) "I want a boy or a girl-" (Eggman) "Yeah me too." (Stone) "-and we should name them a single, worth of remembering name! Like... Eggette for a girl and Eggson for a boy." "I'm not letting you name them any of that, doctor..." "Okay, then how about Beyonce for a girl and-"

>They wouldn't have kids (?? maybe? I don't really know, I only know sonic boom and the movie :'U)- but she was probably the 1% the birth control warns you about. Also, Stobotnik got a very active seggsual life, and I'm imagining she came to be from a quickie over the desk, why not.

>Helpful diagram of Eggman + Stone kissing and then = baby. They were in work hours.

-In the one where he comes back and the baby's already there, Eggman does a terrible job as a father the few first months, but then he gets the hang of it and it's not so bad.

>He gets projectile vomited on and he's immediately asking to get an abortion (the baby's already born) (he didn't give birth to her), Stone says no anyways.

>"Surprisingly, I'm a good father" he thinks one day and it's because he's still very much an orphan here with no frame of comparation or example aside from researching the matter.

-In the one where they wait for her together, he does all the research necessary in all those months, absolutely refusing in doing an average job in that matter, he's the great Ivo Robotnik c'mon. He excels at anything and he'll be a great father (jk he's terrified of fucking up).

-The Stobotnik family is an evil but loving family, like the bears in Puss in Boots whwh criminal family✨

-For the funny of it, Sonic and Eggman got a sort of relationship like in Sonic Boom, so sometime maybe our favorite boy, Tails and Knuckles had to look after their child.

-Also since Knuckles broke Stone's and Robotnik's hands with their handshake, let's have him handle the baby with the most careful grip ever, just to demonstrate that he didn't have to grab their hands that hard aksdjask

-She's a big fan of Sonic and friends (Sonic the Hedgehog, not Sonic Wachowski, the second guy hadn't done even half the things she admires him for, but no one has the heart to tell her when she's a kid). Has a bunch of merch and all the comics of Sonic the Hedgehog.

>When she's a teenager she proudly uses her Sonic backpack in the same way Deadpool uses his Hello Kitty backpack.

-BTW Sonic, Knuckles and Tails are all brothers and Maddie and Tom's kids bc that's the best idea ever made.

-ALSO I'm definitely gonna draw that scene where Knuckles was about to put the baby in the blender and Sonic shouts THE CHILI DOG NOT THE BABY. Some day, you'll see pipipi.

-SAGE was created for various reasons, to be her sister (since she wouldn't stop asking for one but neither Stone nor Robotnik were willing in raising another human kid, thanks very much), to protect her, and also to answer the tedious "why?" questions that neither father had the patience for (A+ parenting right there). Maybe she was used for the original purpose too idk (I don't know that sonic game where she debuts).

>The child's delighted about having a sister, then she grows up and SAGE doesn't, so she has a little sister.

>METAL SONIC TOO MAYBE? Perfect lil american family, the two happily married parents and their three kids (one human girl, an IA and a robot clone of their alien enemy).

-On her early months she was called Pebble, because she really was a mini Stone, Robotnik went along with it (bc he also looked at her and only saw his husband whw) until she was a little older and they started calling her by her name.

>Alternatively, since Eggman was gone, Stone waited for him to return in hopes of choosing together a name for their child, and Pebble worked as a placeholder since she was just a bebi.

>Alternatively alternatively, Eggman came up with the nickname. ROCK-ONNAISSANCE 🗣️ also yeah I know he was going crazy from the mushroom stuff, but he's not above making silly puns, he's a dad now and also he's naturally silly.

(NGL I really gotta make up my mind about how it all happened ajsdkad)

-She's a spoiled kid and also a little menace, unintentionally evil, she can't help it.

>Good-hearted too sometimes, she loves Sage and does her best to protect her back (it's not necessary but it's appreciated anyways).

-Robotnik calls himself 'daddy' way too much in the live-action movies to ignore it, so he's daddy and Stone's dad (dada when she was younger).

>"These are my daddies!" (points to what's clearly two villains -but also good fathers-)

-She has Robotnik's eyes but as big as Stone's. They're the lethal-est sad puppy eyes ever (they work wonders on both parents and other people) (both men got beautiful dark brown eyes with visible eyelashes fight me).

>Look at Eggman's silly eyelashes:

>Also, you know that picture of Lee Majdoub with the beautiful everything? I think he was wearing eyeliner so my Stone wears eyeliner too in contrast to Eggman's dark circles under his eyes JDJS😭

-She's the five-year-old that made Sonic fear them because 'they can be so cruel when they sense weakness' (she was brutally honest as any young kid is).

-Stone and Robotnik got Gomez and Morticia Addams kinda parenting. They see their child beating up someone and they're like:

"What did we do wrong?" (Stone while shaking his head in disappointment) "I know... she lacks resourcefulness." (Eggman) "Exactly, there's her baseball bat right there, why doesn't she use it?"

-Remember that Shadow said in a game that he wouldn't mind taking a candy from a baby? (fandub I think but still) This comes in handy when neither Tails, Sonic or Knuckles want to upset the kid (so Shadow does it instead).

-She plays sports too because she got too much energy. In each of them she loses her patience. She grabs the football and hauls it at the nearest team member, she throws her baseball bat to the ground and starts beating up whoever threw the ball that she missed, she stomps in frustration if she loses, she's great at dodgeball (sends her classmates to the infirmary).

-Throws tantrums and stuff and overall's an annoying kid if she's upset. Eggman's like UGH WHY'S SHE LIKE THIS?? and Stone's like Because of you, doctor (terrible temperament runs in the family and also Robotnik just spoiled her too much).

-I'm kinda dressing her up in the clothes that existed in my mind that supposedly Eggman wore (the weird dress-like jacket with the big zipper in the middle). Under her jacket there's a dress in the same pattern as the original Eggman's clothes, also she wears a baby onesie like that too.

-When she's older she's definitely proud of her fathers, but she doesn't appreciate the rumors that she's prone to go power-crazy like Robotnik did. Especially because it may be true, but what do they know.

-For the irony, she can't stand drinking coffee, but loves the smell of it because it reminds her of home (omg).

-THEY HAVE A PET CAT like I read in some fics and her name is Robot and she's a lil shit and also grumpy like Robotnik.

>Maybe she brings her alive mice to experiment on all sort of stuff (like Pávlov and his dogs and the guy Skinner with his mice and cats (??))

-She gets to hang out with Sonic and friends under the condition of annoying him as much as possible. So, she complies. (She loves Sonic the Hedgehog, but she loves making her fathers happy more).

-Very smart kid but not to the level of Tails or Robotnik at that age, she's just got very good memory and learning skills and knows a lot of stuff ever since she was a little kid. More like a Matilda-kinda intelligence.

-She's a scientist when she grows up too but the kind that makes evil potions and serums and stuff aksjdk probably (chemistry things? biochem idk). She can make silly little robots for the fun of it but it's not her passion, unlike Robotnik and Stone's. PROBABLY. I'm still deciding.

-BTW LOOK (it says 'carefully crafted ploy to distract space porcupines')

>While Eggman's there with the baby and Sonic in front of him going AWWW BABY BOO and making her laugh, Stone is sneaking up on him holding a chair above his head to knock him out.

THAT'S IT THANKS FOR READING ✨✨

[long-live-astronerd-ghost-king]

DPXDC: I wanna be like most girls ghosts.

or Danny: What should I do to make my mom happy?

or ~Danny deserves a little teenage rebellion as a treat~

Maddie: I just want this damned Phantom to stop pretending to be a hero! All ghosts are pure evil, who is he trying to deceive? Danny: Oh, really? And Danny took it personally.

It’s not Danny’s fault that he’s a good kid and wants to make his parents happy. But why would he have to be a monster to make them happy? Why must they hate him to be happy?

Danny’s obsession was going crazy.

Well, when your own parents call you a monster in the face, it hurts. Why do they always believe that only their opinion is the absolute truth? They have no idea how much worse things would be if at least some of the ghosts really behaved the way Maddie and Jack think they’re supposed to. If he really is evil by nature, is there any point in fighting his own fate? They want to see him as a villain, he will become one. He will. He just needs a little help and practice. And not bring it to the level when Clockwork has to clean up his mess. Poor guy is without a vacation for how long? Couple of millennia?

Johnny 13: Sup. Danny: F*ck off, Johnny, I’m not in the mood. Busy thinking about world domination. Get out of here or I’ll call Kitty. Johnny 13: What’s wrong? You’re usually so grouchy only towards the end of the week. Danny: Nothing. Just parents. Again. They are wonderful but I can’t help but feel sometimes that they, em… Johnny 13: Suck? Danny: Right…Damn. I’m a terrible son. Maybe something is wrong with me. Johnny 13: What? No, no, dude. You’re just growing up. And you’re a little late, usually teenagers go through that stage before they graduate. Well, you’ve probably been busy with other issues, so just missed it. Danny: I wonder whose fault it is. Aren’t there ghosts who enjoyed to ruin my life in the middle of school day?

Johnny 13: Oh, bother. Anyway, you’re entering a beautiful time of emancipation, where you’re going to shape your own view of life and, along the way, to get drunk on cheap alcohol at parties, maybe to go to jail and to become the greatest disappointment to your family..And then you will be ashamed to remember it for about the next ten years. Danny: Well, it looks like I’ve already done two out of three additional things. Great success. Johnny 13: When did you get drunk? Danny: I didn’t. Johnny 13: Oh. Want to fix that? Danny: What? No. What an idiot wants to add a headache to his problems? Johnny 13: Well, your loss, then I’ll go terrorize the bars of Gotham alone and no one can stop me. Let’s see what your boyfriend will say about it. ~~~~~ Danny: Bartender, another shot of Dead Man’s Fingers, please. Red Hood: Babe, haven’t you had enough? Danny: Have you ever felt that no matter how hard you try, no matter how many sacrifices you make, in their eyes you’ll always be nothing more than a monster? Nothing more than a mistake? Oh, Death doesn’t give people like me a break. Red Hood: …I’ll have what he’s having. *gives the bartender a sign to switch the rum shots to a batburger milkshake for them, and starts talking to Danny so that he doesn’t understand Hood's scams*

~~~~~

Johnny 13: Other people’s kids are growing up so fast. It seems like yesterday he didn’t know how to shoot ectoblast, and now.. Kitty: Stop trying to make me feel bad, we’re leaving. Johnny 13: But the boy needs our support, honey boo!

~~~~~

Danny: I'm fine. Really, I am. This isn’t the first time mom’s called me a monster. She often called me that when she was upset with my behavior in my childhood. Huh, it's even funny. Jason: There’s nothing funny about that. Danny: No, you don’t understand. Looking back, I was really a very active child and didn’t know when to stop. Not surprisingly that I often annoyed my parents. They’re very busy people, and Jazz couldn’t always keep an eye on me. And I was often afraid to go to sleep alone because there were shadows in the darkness of my room. Well, I used to think they were. But I pretended everything was okay to not distract parents from work. Jason: Hey, it’s not your fault. You were a child. Obviously, kiddo requires a lot of attention, they must have understood that. You are the second child in the family, right? Danny: Well, Jazz was different. I don’t know. Anyway, I thought if the monsters behind the curtain and under the bed were just like me, well, according to my mom, you know, then they wouldn’t want to hurt me. And since they look after me, they are friends. So I kinda greeted all the suspicious noises and howls. Huh, I was a strange kid. Jason: If you smile at someone in the dark alley right now that someone is more likely to wet themselves or faint. Danny: Rude! I’m not that scary. Admit that I’m adorable. Do it right now. Jason: Stunning, darling. But still carry a gun and a knife, please. My childhood taught me that what's hiding in the dark is worth beating up. Danny: Come on, what should I be afraid of? Death? Anyway, I want to try this shit. Like, the inevitable one. Being a bad boy, you know? Hood *raises eyebrows*. Danny: Oh damn it man, I'm talking about ghostliness. I want to try to be like most of dead ones. I want to unleash my side of the trickster and the villain. But only a little bit. I have to be supervised so that things don't go too far. Would you help me, honey?

~~~~~2 hours later~~~~

~~~~~

Goons used to expect a lot of weirdness from working with the boss.

Sometimes Bruce Wayne would go into their base and yell at the Red Hood like he's one of his kids. Of course Wayne's well-known as 'Gotta adopt them all' but the guy must really suffer from insomnia to count the Red Hood into his brood of chicks several times. Sometimes the boss would fight Robin or Nightwing over differences in morals…or for biscuits. It varied from moment to moment. Sometimes the boss caught the local street children, fed them and taught them to steal correctly. And most of the foundlings stayed with them under their protection.

To make a long story short, Red Hood is not the typical crime lord that some of them had to deal with before. Which is a blessing. Thanks Lord for the health insurance. But still the crime lord. Which means he's still scary, and sometimes deadly.

Anyway, when the boss brought in a guy who looked more civilian than any civilian in the whole Gotham and said he was going to be their intern, they thought it was a joke at first. Despite the fact that Hood was not in the habit of joking while working.

The teenager was too well-mannered and sweet to come from Crime Alley. Phil thought the guy was gonna run when he saw the first murder, Jessica didn’t think the domestic boy wouldn’t chicken out at the sight of a fight. But arguing with a boss’s orders in their profession is like asking for a bullet in the head, so these conversations were taking place outside of their boss's sight. God, how can they teach him anything? What do you take from a boy who’s only good to do the coffee run? Fenton will fall if they’ll give him something heavier than 10 pounds. And then boss will yell at them because he treats the new guy like a princess on a pea. Well, at least that’s what they thought until the boss decided to give the new guy his own assignments:

~~~~~

Red Hood: So, what have you learned during your internship, my young Padawan? Danny: Well, it looks like I’m gonna suck at being a criminal mastermind. I think I may have to find myself some other profession. Red Hood: Come on, you just need a little more practice. Danny: Thank you but I don’t think that’s fit my obsession that good. Don't misunderstand me, I wanna be like most ghosts. But I was wrong to go to hit that goal only base on human stereotypes about my nature. Red Hood: What a pity. The newbies just learned not to flinch when you walk in. But, to be honest, I'm not gonna miss the adrenaline-boosting roller coaster of you at work. Danny: Oh, and I guess to hold on to the concept of humanity was really stupid too. I clearly no longer fit in and I’m finally ready to accept that. So, hopefully, if you get into trouble, you can rely on my ghostliness and call for help. I am the spirit of many talents and of my word. I can haunt your enemies or walk through the walls of Arkham Asylum. Whatever you need, I’ll be here. Red Hood: I’ll bear that in mind.